玛莎·米切尔效应

尼克松曾说，如果不是玛莎，水门事件根本不会发生。这部档案纪录片讲述了水门事件第一吹哨人玛莎·米切尔的故事：为了让玛莎闭嘴，尼克松政府在对外的宣传中对外界进行煤气灯操控，将她塑造为一个疯女子。通过这些历史档案，我们得以从玛莎的女性视角重新审视水门事件。

大学女生的性生活第二季

It’sanewtrimesterforthesuitemates–Kimberly,Bela,Whitney,andLeighton–whichmeansthegirlshavetonavigatenewexperiencesandchallenges.FromcreatorsMindyKalingandJustinNoble,season2returnsNovember17withmorecollegechaos,wildparties,messyrelationships,andofcoursethenewhotguysoncampus.

美女出海冲浪，不幸被鲨鱼困在孤石，她该如何自救？#鲨滩

　　为了纪念早逝的母亲，南希（布蕾克·莱弗利 Blake Lively 饰）来到了那片对于母亲来说有着别样意义的沙滩，准备在此进行一场冲浪运动。幽静的环境，清澈的海水，温暖的阳光，活跃的水鸟，南希深深觉得这里是上帝赐予她和母亲的福地。在冲浪途中，南希意外发现了一头遭到鲨鱼攻击而不幸死亡的鲸鱼尸体，这不祥的一幕预示了她即将要面对的可怕经历。尸体的气味吸引了鲨鱼远道而来，南希遭到了鲨鱼的攻击，大腿受伤，挣扎之下，南希爬到了一块露出海面的礁石之上，在这里等待着不知从何而来的救援。更糟糕的是，这块礁石随着潮水的到来很快就要被淹没，这也就意味着，到那时，南希将彻底陷入鲨鱼的血盆大口之中，无处可逃。

晚娘2

一次偶然中，太普（Andy-WatchraThungkaprasert饰）结识了名叫丽安（海伦.妮玛HelenNima饰）的美丽女子，丽安的温柔和善良吸引了太普的注意。回到家中后，太普才发现，原来丽安是父亲新娶的妻子，是自己名义上的母亲。太普的父亲是个性格十分粗暴的男人，他曾经救过丽安的性命，如今，丽安用以身相遇来报答他的恩情。在太普父亲的眼中，丽安不过就是一个保姆外加他发泄兽欲的对象。发现了父亲对丽安的所作所为，太普十分愤怒，他和父亲之间好不容易回暖的关系也因此而跌入了冰点。太普一直压抑着心中对于丽安的感情，丽安亦是如此，然而，感情最终迎来了决堤的那一天。

盲目的丈夫们

Two differences between this Austrian version and the generally available American version are immediately obvious they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the original version　　The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel. (Koszarski)　　From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to speed up the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shotscountershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.

长城红

《长城红》是一部以冀东抗战为背景，以潘家峪复仇团抗战斗争为主线的大型史诗性作品，也是首部表现潘家峪惨案和潘家峪复仇团故事的电视作品。

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